{"id":1176,"date":"2009-06-05T15:05:19","date_gmt":"2009-06-05T22:05:19","guid":{"rendered":"http:\/\/studionebula.com\/blog\/2009\/06\/05\/announcing-eos"},"modified":"2009-06-05T15:05:19","modified_gmt":"2009-06-05T22:05:19","slug":"announcing-eos","status":"publish","type":"post","link":"https:\/\/studionebula.com\/blog\/2009\/06\/05\/announcing-eos","title":{"rendered":"Announcing Eos"},"content":{"rendered":"

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I’m pleased (as always) to announce the release of Audio Damage’s latest product. It’s called Eos; it’s a high-quality algorithmic reverb plug-in. By “algorithmic” I mean that it uses real-time processes involving delay lines and filters and stuff rather than the convolution-based approach that has become popular in recent years. By “high-quality” I mean that, in direct comparisons with some rather expensive hardware (naming no names) it can hold its own. It also has a CPU load low enough that using several instances at once won’t be a problem on any reasonably current computer. All this for $49. Yes, it’s a real deal. Click that big picture up there to got to the Audio Damage product page where you can listen to audio samples and buy yourself a copy.<\/p>\n

I’d like to mention that this is also the first Audio Damage product that contains a significant amount of work done by someone other than Chris and myself. We met up with a fellow by the name of Sean Costello some time ago, back when we were researching frequency shifters for BigSeq2<\/a>. That product’s frequency shifter module was coded by Sean. In an unrelated conversation, I discovered that Sean has a huge amount of interest in, and experience with, reverberation algorithms. To cut to the chase, the algorithms in Eos were hand-built by Sean for us. It’s quite a pleasure that Audio Damage has grown to a point at which we can pay people like Sean to contribute their expertise to our products. So, big thanks to Sean!<\/p>\n","protected":false},"excerpt":{"rendered":"

I’m pleased (as always) to announce the release of Audio Damage’s latest product. It’s called Eos; it’s a high-quality algorithmic reverb plug-in. By “algorithmic” I mean that it uses real-time processes involving delay lines and filters and stuff rather than the convolution-based approach that has become popular in recent years. By “high-quality” I mean that,… Continue reading Announcing Eos<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1176","post","type-post","status-publish","format-standard","hentry","category-audio-damage","entry"],"_links":{"self":[{"href":"https:\/\/studionebula.com\/blog\/wp-json\/wp\/v2\/posts\/1176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/studionebula.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/studionebula.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/studionebula.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/studionebula.com\/blog\/wp-json\/wp\/v2\/comments?post=1176"}],"version-history":[{"count":0,"href":"https:\/\/studionebula.com\/blog\/wp-json\/wp\/v2\/posts\/1176\/revisions"}],"wp:attachment":[{"href":"https:\/\/studionebula.com\/blog\/wp-json\/wp\/v2\/media?parent=1176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/studionebula.com\/blog\/wp-json\/wp\/v2\/categories?post=1176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/studionebula.com\/blog\/wp-json\/wp\/v2\/tags?post=1176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}